If you know me, you probably know that Christmas Eve is one of my favorite days of the year. No, there's no orgy of wrapping paper and gifts, no roast beast -- and no, I'm not even Christian. But I love tradition and I love family and I love anticipation, and on Christmas Eve I get all three: decorating the tree, finishing the advent calendar that my grandfather carved decades ago (a small bronze cast of Notre Dame rotates in and out of ultimate spot), helping my mother cook, watching the cats try to outsmart the Christmas tree, and most of all, listening to the King's College Choir's set of Lessons and Carols.
If my family feels holy about anything, it is architecture and music.
Friday, December 25, 2015
Wednesday, October 21, 2015
Afterschool
Today is the first time in two years that I've had an end-of-marking-period "afterschool," in which I stay after school (duh doi) with kids so that they can do work. Traditionally during these things, I tell the kids I can stay until the custodians set the alarm. In Federal Way, that was 10 p.m., though I never had a kid stay that late; I think the latest was around 8:30. Here, the alarm is set at 6 p.m., so I'm staying two days in a row to make up for it: today and tomorrow.
Because afterschool always comes near the end of the marking period, it coincides with me being ridiculously stressed out. I dread it a little bit the day before it happens. After all, here I am, trying to figure out kids' grades, drowning in paperwork, unsure what I'm teaching the next day, and totally unable to get work done while kids are actually in the room, so why am I taking valuable time away from my life? Don't I need this time for, you know, EVERYTHING?
(And it's not like I can use afterschool for doing any of this stuff. "Why don't you just grade while we're in here?" a girl once asked, to which I responded, "Do you actually want me to grade your work when I'm this distracted? Because I don't think you do.")
Because afterschool always comes near the end of the marking period, it coincides with me being ridiculously stressed out. I dread it a little bit the day before it happens. After all, here I am, trying to figure out kids' grades, drowning in paperwork, unsure what I'm teaching the next day, and totally unable to get work done while kids are actually in the room, so why am I taking valuable time away from my life? Don't I need this time for, you know, EVERYTHING?
(And it's not like I can use afterschool for doing any of this stuff. "Why don't you just grade while we're in here?" a girl once asked, to which I responded, "Do you actually want me to grade your work when I'm this distracted? Because I don't think you do.")
Friday, September 25, 2015
Kids These Days
"So," says the bartender/airport check-in lady/person waiting in line with you, as soon as they find out that you're a high school teacher: "What are they like? Kids these days?"
They always give an ironic little smirk when they're saying it -- as if to proclaim their awareness of the innate ridiculousness of the phrase, to insist that they're not like the fuddy-duddies who they imagine are the ones usually asking this question.
Still, it's barely a question. They already know their answer.
They always give an ironic little smirk when they're saying it -- as if to proclaim their awareness of the innate ridiculousness of the phrase, to insist that they're not like the fuddy-duddies who they imagine are the ones usually asking this question.
Still, it's barely a question. They already know their answer.
Monday, August 17, 2015
What I Wouldn't Write
I. Needles
A few months before I moved to Beijing, my parents -- who know me well -- bought me six or seven books on China. I eventually read my way through 4.12 of them (damn you, Oracle Bones!), but the one that immediately caught my attention was China in Ten Words, by Yu Hua. I read through it in about six hours, and was riveted by Yu's account of his country: by turns heartbreaking and hilarious, these essays/memoirs/ruminations on his own personal narrative and a wider Chinese history caught at me.
In one of the essays ("Reading"), Yu recounts how, as a child of the Cultural Revolution, he became a voracious reader (the story involves him asking random strangers on the street for books, hoarding tattered copies of French classics with missing identifying marks (like titles or authors), and his older brother punching a librarian in the face). In another, he describes the first time he saw an execution.
In a way, the most poignant of his stories comes from the introduction. Here, he tells us that when he was eighteen, his job was to go to factories and inoculate workers. His team would reuse the same needles again and again. One day, they inoculated children, and the children cried when the needles came out. When he examined the needles, he saw that they had become so barbed that they ripped out little pieces of skin when he withdrew them. He had never noticed before, because the workers had never complained.
A few months before I moved to Beijing, my parents -- who know me well -- bought me six or seven books on China. I eventually read my way through 4.12 of them (damn you, Oracle Bones!), but the one that immediately caught my attention was China in Ten Words, by Yu Hua. I read through it in about six hours, and was riveted by Yu's account of his country: by turns heartbreaking and hilarious, these essays/memoirs/ruminations on his own personal narrative and a wider Chinese history caught at me.
In one of the essays ("Reading"), Yu recounts how, as a child of the Cultural Revolution, he became a voracious reader (the story involves him asking random strangers on the street for books, hoarding tattered copies of French classics with missing identifying marks (like titles or authors), and his older brother punching a librarian in the face). In another, he describes the first time he saw an execution.
In a way, the most poignant of his stories comes from the introduction. Here, he tells us that when he was eighteen, his job was to go to factories and inoculate workers. His team would reuse the same needles again and again. One day, they inoculated children, and the children cried when the needles came out. When he examined the needles, he saw that they had become so barbed that they ripped out little pieces of skin when he withdrew them. He had never noticed before, because the workers had never complained.
Sunday, July 19, 2015
In Transition
In the eleventh grade year of Language & Literature at my Beijing school, we read an essay by David Sedaris entitled "Chicken Toenails, Anyone?" In this essay, Sedaris (fresh off a trip to Japan) goes to China and has some culture shock. Because he's Sedaris, he reacts to his culture shock with brutally funny observations; disappointingly, he uncharacteristically spends too little time reflecting on what his reactions to China might mean about him. The usual Sedaris self-deprecation is mostly absent, and he goes for low-hanging fruit: dirt, organ meat, and China's ever-present bodily fluids. He takes delight in comparing China's chaos to what he observes as Japan's careful aestheticism. As my students said, it's not that what he says about China isn't true, it's just that it isn't complete.
Sunday, June 28, 2015
Last Days
For those who don't know, these past few days have been my last in Beijing. I'll be moving back to New York City after a seven-year hiatus, which fills me with joy and trepidation and excitement and basically All The Feelings, which will have to wait for another blog post because this post is about Beijing.
I just reread my post from my first days here, and it's a little odd (but completely satisfying) how these last days have been their echo. It is mildly-to-grossly polluted, just as it was when I arrived. I went to Tiananmen Square on the way to the Forbidden City yesterday, and still managed to be bewildered by the place: surely I'd never gotten that close to the portrait of Mao before? Was the flagpole always that far away? (Answer: you came into the square from a different subway exit, Crawford, ya ding dong.)
Sunday, June 14, 2015
Divestment
Last night, I stayed in the Holiday Inn down the street from my apartment. Mine was the kind of hotel room that I dreamed of when I was little: a colorful little pod, it seemed to have sprung out of Tintin: Explorers on the Moon or some half-remembered Babar title. The shower wall curved in wavy fish glass against the neat white queen bed, a minimal-but-comfy green sofa was tucked into the corner by the window, and a bright blue space-conserving Murphy desk completed the picture. The whole effect was simple, clean, warm, and cozy: a nest.
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